I never really made the connection to me and Phil Spector. The singers have this great springboard to emote over. What he did was created a great wall of sound so that when the singers are singing, it's like they're being supported by a huge, huge piece of music. In a sense, that's similar to Phil Spector. If you listen to the atmosphere that I'm playing over, the band and the music that I'm playing my melodies to, it's really quite layered and in a very detailed fashion to absolutely maximize the impact of whatever melody I'm playing. Marty Friedman: I'm definitely the driving force behind it, but one thing I take pride in, that maybe sets me apart other instrumental music, is that I probably put more effort into what's backing up my guitar playing than actually put on guitar playing itself. So, what's it like being the driving force on your "Wall of Sound." I understand he made studio musicians wait hours before he'd hit record to make them tired, so they'd fall together easier. Q: Your new record shares a name with the popular description for Phil Spector's recording method. Megadeth will kick off the South American leg of their tour in support of 15th studio album Dystopia next month.Here's a few highlights from my phone interview with Friedman. Mustaine previously branded the assumption that he is “difficult to work with” a “terrible lie.” He later moved to Japan where he has lived since 2003 and has built a successful career as a TV personality.
“I think that’s important, because when you leave home and you’re gone for this long, and you’re with a guy that you barely know, it can be really bad.”įriedman left Megadeth in 2000 after recording five albums with the band, including Rust In Peace and Countdown To Extinction.
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